![]() One thing I really loved about the LFO windows are the magnification elements. ![]() The synced tempo speed goes up to 1/128 – enabling some pretty crazy gritty sounds! Creating your own waveshapes gives you the opportunity to use Filtershaper as an effect to create subtle movement within the sound, or as heavy duty mix controls – such as creating a pumping side chain effect for example. The LFO’s can be tempo synced to host, or free, and you can choose how intensely the oscillator affects the control it is pointed at. LFO wave shapes can be chosen from the basic starting points (sine, triangle etc), and edited from there, adding soft curves and hard angles with various mouse clicks. Clicking on a small button to the top right of the appropriate knob will open up two windows displaying any current or recent audio played, overlaid with bright orange LFO waveshapes. Most of the main controls of the filtershaper plugin are modifiable by two LFO’s, and a very simple envelope follower for each parameter. ![]() ![]() Filtershaper3 really stands on its own with the modulation section at the bottom of the plugin GUI. But they’re not really the selling point of the plugin, to me. They hold their own against other digital filters available. You can choose to have the filters run serially or in parallel to each other. There’s a mix knob which allows the user to choose how much of each filter to have. ![]() Each filter has a resonance, drive and resonance distortion, adding nice grit and grime to the filtered sound. A click on the Menu list above the knobs gives you a massive choice of filter types, from clean non-resonant 6DB through to a new addition of the classic Sallen-Key emulation filters. The GUI is dominated by the cutoff knobs for the two filters. ![]()
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January 2023
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